O Tempo Avança Por Sílabas
2024
Pondo rezas nos lábios
2023
Objeto Dança
2021
No silêncio da praça avista-se o nosso terraço de nuvens
2019
Agora
2017
Os malefícios da dança
2013
Procissão K2
2012
Pan Órama
2011
Sub Rosa
2010
Na Minha Parede Escarlate Retratos
2009
IB & JS
2009
Procissão K
2008
A Visita do Rinoceronte
2008
10 minutos
2008
Alugo-me para sonhar
2007
O Baile
2005
Olívia
2004
Là Où Je Dors
2002
Pó
2002
Quarto Escuro
2001
Delete
1999
Acidente de Automóvel Cor-de-Laranja 10 Vezes
1998
Hamlet Machine
1997
Screen 24 fracturas expostas
1997
Eléctrica
1996
Perigo de Explosão
1995
3ª Estação
1994
Os vestidos que eu lhes emprestei já não são meus
1993
Sobressaltos in-de-gestos
1992

Agora

2017
© Daniel Pires

Isabel Barros presents a performance for which she summons two great friends and partners of artistic life: Regina Guimarães, who asked her to write an original text, and Vítor Rua, who invited her to improvise and accompany the performance of the Cooperativa Árvore gallery.

He was interested in talking about the landscape where he lives, the landscape itself. The text speaks of a sea from within. In improvisation, with Vítor Rua, Isabel Barros gave voice to the listening to this strange frontier, incorporating the text specifically tailored to a unique and unrepeatable moment: “Agora“. The music suspends in a cinema way a landscape of thoughts that are sought and confronted within a room coldly marked by a white wall, which Isabel runs slowly and linearly, from one end of the gallery to the other. As it travels through the empty space, it releases the pages of the text in order to jump in free flight: the movement of the dance ultimately happens, being exclusively inhabited by the space of the music. Together, Isabel Barros and Vítor Rua are transported in a kind of flying carpet, which began as a distant object, to become a space of experience and end up becoming a misshapen port of shelter, where one dreams.The performance, composed of dance, music and literature, translated into an escape to the space where we finally hide. Imbued with a great biographical load, it was mostly supported on a great complicity between art and life.

Credits

direction, choreography and performance: Isabel Barros
songwriter: Vítor Rua
original text: Regina Guimarães
curated by: Albuquerque Mendes

Gallery

Video