O Tempo Avança Por Sílabas
2024
Pondo rezas nos lábios
2023
Objeto Dança
2021
No silêncio da praça avista-se o nosso terraço de nuvens
2019
Agora
2017
Os malefícios da dança
2013
Procissão K2
2012
Pan Órama
2011
Sub Rosa
2010
Na Minha Parede Escarlate Retratos
2009
IB & JS
2009
Procissão K
2008
A Visita do Rinoceronte
2008
10 minutos
2008
Alugo-me para sonhar
2007
O Baile
2005
Olívia
2004
Là Où Je Dors
2002
Pó
2002
Quarto Escuro
2001
Delete
1999
Acidente de Automóvel Cor-de-Laranja 10 Vezes
1998
Hamlet Machine
1997
Screen 24 fracturas expostas
1997
Eléctrica
1996
Perigo de Explosão
1995
3ª Estação
1994
Os vestidos que eu lhes emprestei já não são meus
1993
Sobressaltos in-de-gestos
1992

Acidente de Automóvel Cor-de-Laranja 10 Vezes

1998

Orange car crash 10 times is the title of an Andy Warhol’s work and the first step towards the creation of this performance. The short moment that precedes the crash, the moment where seven travellers/characters try the intensity of death, life flashing through their minds, is the time and substance of the performance. A short period of time, extended infinitely in order for the characters’ stories to unfold. The ending reveals an imaginary space of destruction, loss and silence.

Isabel Barros

In this “play” the characters rapidly appear one after the other, foretelling a perfect control of its movement, even if this is voluntarily uncertain. Ever present is a state of urgency, the sensation of a possible and impending catastrophe and simultaneously all the joy of accepting the risk of this dance, in which the familiarity of the inter-bodily encounters send us to a given everyday life now seen through a “dancing” prism.

Cláudia Marisa

Credits

direction and choreography: Isabel Barros
dramaturgy: Isabel Barros e João Paulo Seara Cardoso
original music: Carlos Guedes
costumes: Nuno Gama
light design: Jorge Costa
performers: Eduardo Silva, Elisabete Magalhães, João Murima, Martinho Silva, São Castro, Sónia Cunha, Vera Santos
production: balleteatro
debut: Teatro Maria Matos no âmbito do Festival Mergulho no Futuro (Expo 98) Apoios Culturporto/Rivoli Teatro Municipal e Câmara Municipal do Porto

Gallery

Video

Press

In this “game” the characters succeed themselves rapidly, announcing a perfect control of their movement, although it is voluntary uncertain. Always present an urgency state, the feeling of a possible and eminent catastrophe, and simultaneously all the jubilation of accepting the risk of this ball, where the familiarity of the inter-corporals meetings send us to any quotidian now seen over the “dancing” prism.”

Claudia Marisa